Making original films for young men isn’t that hard, but you have to quit pushing gay race communism and appeal to masculine virtue. //
If you understand that this is what appeals to young men, then the movie scripts pretty much write themselves. Make movies with masculine heroes — not necessarily muscle-bound meatheads or ridiculous superheroes, but real men who are heroes because they’re willing to suffer and deny themselves for a greater good, detach from their own desires to pursue justice, and lay down their lives to protect those under their charge.
Smart filmmakers understand this intuitively. Christopher Nolan is reportedly working on an adaptation of Homer’s Odyssey, due out next summer. It’s probably going to be a blockbuster. Mel Gibson is now finally filming “The Resurrection of the Christ,” a two-part follow-up to his 2004 film “The Passion of the Christ,” which grossed nearly $610 million worldwide. Gibson is also working on a limited TV series about the Great Siege of Malta in 1565, when a small contingent of knights and Maltese citizens repelled a vastly superior Ottoman force.
These are the kinds of films and TV shows young men want to see. If Disney, or any other production company, wants to appeal to young men and not just lecture at them, then make films that are unapologetically American and Christian.
Make films about crusaders in which the crusaders are the heroes (unlike Ridley Scott’s botched effort in 2005’s Kingdom of Heaven). Make films about the American Revolution (there are precious few good ones). Make sympathetic films and TV series about the great European explorers and conquistadors, the pioneers who settled the American continent, and the soldiers who fought in the Civil War — on both sides. Revive the great tradition of the American western that gave us the catalogues of Sam Peckinpah and John Ford. Make a TV series based on the Hardy Boys — one that actually resembles the original books. Make sci-fi action films about America competing against China to colonize the moon or Mars — in which China is the villain, just like in real life.
And don’t worry about the Chinese market at all, or any international markets. Just make films for American audiences that are pro-American. One of the reason’s Tom Cruise’s 2022 film Maverick was so successful is that it wasn’t preaching woke nonsense. It was just a fun, patriotic action film with awesome stunts, a great cast, and a compelling storyline. Just do that.
If Disney wanted to — and it doesn’t, not really — it could make countless films and TV shows that deeply appeal to young men. It would be the easiest thing in the world to do. But to do that, Disney would have to repudiate its woke ideology and quit trying to lecture young men about how masculinity is toxic, America is bad, Christianity is oppressive, and everything should be gay. And let’s be honest: Disney is incapable of doing that.
